jonathanwaring.net Est. January 2010 (v1.0)

About This Blog

About Me

Between 2006-2009 I worked as core member of the collective Reactor. Reactorʼs practice involves the creation of social microcosms, containing their own rules, meanings and iconographies, enacted both by public participants and by the members of the group. Reactor's work encompasses the production of these intense immersive events and, additionally, the collaborative relationships built with participants over the course of evolving long-term projects.

Leaving Reactor in January 2010 my current solo projects sit loosely under a heading of ʻmodels, prototypes, and propositions'. I see this blog as being an important tool in the development of my ideas.

I also work as a freelance photographer, and my portfolio website can be viewed here: www.jonathanwaringphotography.co.uk

Current research interests:

The conceptual systems and philosophies of 'dubious' thinkers—particularly those who have been successful in spreading their ideas into popular culture. Currently my research is focused on, and is interested in contrasting, the ideas and writings of Ayn Rand (founder of the 'philosophy' of Objectivism—through which she claimed to have proved that laissez-faire Capitalism could be the only 'moral' political system—which she promoted through her fiction writing in the novels 'The Fountainhead' (1943) and 'Atlas Shrugged' (1957), both of which were popular commercial successes) and L. Ron Hubbard (science fiction writer turned founder of the 'new religious movement' Scientology, whose conceptual schema—expressed through his prolific and verbose output—have left their mark on the contemporary world, both inside and outside of Scientology). My interest in these figures comes in part from an an interest in personal systems of thinking and action, but in the main from their ability—despite their many shortcomings—to reach out and affect the lives and thinking of 'everyday people', rather than having their initial effects only in technical and specialised areas of academia.

I am also interested, in a very simple way, in the way they both made a living through their work. This is one area where these research interests clearly intersect with the realm of an 'art practice', particularly one which is functional and aims to enact or 'do something' in the world, rather than being simply representational.

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